Little post-departmental spewing of miserable words

Why is it SO HARD for me to fail? It’s worse when no one else can see it but my teacher: that means no one else noticed how much I really have to offer, and how much more I still needed to give.

“Die Nacht” is so important to me. Not only is it a favorite of my teacher’s, it’s a favorite of mine. The story is beautiful, the setting is beautiful. It just needed so much more than I gave it today. Part of it was nerves, part of it was energy. I had been so revved up all day long for this performance: it needed to be worthy of being second-to-last on the program. It needed to be clear enough to understand, it’s message had to be there.

I had shown my professor my dress and warmed up before the recital. She thought I was going to nail it. Then I sat through six or seven other performances before going to the green room. I think that might have been my problem. I didn’t nail it. I sang it with expression but with half of my voice, it feels like now. With only half of my love. I guess it makes me feel better that my teacher said my accompanist was underplaying it and undersupporting me as well. That makes it less all my fault. But it’s still a step back for me, it feels.

These performances only come once a semester, if that, and I disappointed myself and my teacher in this one. Also, I guess I was just looking forward to rounding out the week I go home with a great performance, and that didn’t happen. Not by my standards. And my standards aren’t very high: it’s usually, if I sing well, I’m on a post-performance thrill for the rest of the evening. Now, I just feel a sense of dread and disappointment, much like the one I’ve been carrying with me since Saturday morning. Maybe I thought, if I do this well, it will take away the parts of myself I currently don’t like. Maybe it will fix me, If I can sing how I know I can sing, in front of my department.

But I couldn’t. If I had done that in an audition, and undersung it by so much, it would have been a mess and I wouldn’t have gotten hired or cast. I wanted to leave a favorable impression on the voice staff; I wouldn’t be surprised if not a one of them gave me a second thought besides “Her outfit looked good” (which, it did). It’s good that I’m not doing the opera this year because there is so much more I need to work on.

It is just so hard to fail at something I worked so hard for. And for it to turn out mediocre? When I’ve previously sung it so, so well? I just wish I could grab time, grab it hard and twist its arm and make it take me back. Make it give me a second chance to do it again. I wish that so much, and I know it’s only because I care so deeply and so ferociously about what I’m doing.

And that makes it worse. Because I do care so much, and I rarely get a chance to perform, and I love it when it goes how it should.

I can do better. And that’s the end of it.

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Underneath the abject willow

This is the song that is stuck in my head. It’s really great. And it’s also why I can’t get to sleep.

I want to sing in all of these different, intriguing languages but it’s funny how out of nowhere a song in my own native English can pop up on the radar. And be really meaningful.

“Underneath the abject willow” is a Britten tune that speaks of love and rejection and coming back from all of it. Life’s too short to wait and wonder, and although it’s beautiful to pause and enjoy the scenery, without action, without loving someone, it’s all pointless.

It’s just the song to inspire a few pretty thoughts of what a puzzled girl could do if she wanted to. Could do with life, if she focused. “Underneath the abject willow, lover sulk no more; act from thought should quickly follow: what is thinking for?” (Britten 1). So gorgeous. ♥

All that lives may love; why longer bow to loss, with arms across? Strike, and you shall conquer.

Musings on the probability of success

Today has been long and exhausting so far.

I had my choral ensemble placement audition today. I sound like crap, by the way. The humidifier I bought at Target was only on for about a half hour before I had to leave. My throat hurts. My head hurts. I’m not “sick,” yet, per se, but I sound terrible.

Being in that room made me want to cry. I know sol fege. But I sang do-re-mi-fa-sol-fa: and the ending note ascended. It should have been la. I wouldn’t be surprised, honestly, if the grad students and professors in the room (there were five) simply noted down that I should go back home. It was so not my best, but it was all I could do at the time. Competing with stupidly paralyzing nerves and my own lack of knowledge just exhausts me. That’s why I’m glad this isn’t a cutthroat place. If people were outright mean in addition to outstandingly talented, I would be screwed.

Apparently they told Rachael (who auditioned after me) that she sounds like a voice who will really succeed at Eastman. I (obviously) was told no such thing.

That’s really cool they told her that, and as I was talking to John and Tong I heard her and got distracted because it was so pretty. And it was only vocalizing.

But now I’m wondering what it would be like to fail. The parasitic leeching doubt’s just there, and, well… two years of previous classical study might not cut it. It wasn’t intensive study, either. I was part-timing it previously to this week.

Shouldn’t giving it everything matter, though? I know I’m practically infantile in my knowledge of classical music and opera. I get it, okay? But I want to learn. The desperate nerd in me is trying to drag classes closer so I can go and get some homework. The obsessive musician is clamoring for my lesson tomorrow so I can get feedback and have a concrete reason to work in a practice room for the maximum hours allotted a day like I really, really want to.

But on the other hand, what if I’m not qualified to be here? I’ve been telling myself, they’ll teach me. They’ll teach me. They won’t judge me for what I don’t know, they won’t hate me because I’m ignorant. Students or faculty, anyone I respect and/or admire for who they are or what they do, won’t think I shouldn’t be here because I’m still learning what they were proficient at years ago.

I don’t want to be considered out of the running for success simply because right now I don’t know anything. If I am willing to learn, isn’t that important? If I crave the knowledge I’ve seen in action here, if I want it and will reach for it with all that I am, won’t that factor in?

If the thought of failing is breaking my heart, shouldn’t that mean something?

This doesn't really lighten the mood for me, but he is my new humidifier/penguin

What did Brendan tell me? Oh yeah: “Kim, I feel like you’re searching”

*Just a quick note: I wrote this from my cell phone late at night (or, early in the morning) before this past Wednesday. I spent the day with this awesome German I know all day yesterday, so I did not get a chance to type it and post it. But, here it is, unedited and in honesty.  

Brendan texted me tonight, from Waynesburg. Told me about a book he feels I should read. He said, “Kim, I feel like you’re searching.”

  
I feel like I am, too. 

So here is how it is. Here is how I come to be typing– texting, really– forming a blog entry from my phone because I was dumb enough to leave my macbook upstairs, and it’s past midnight: my entire family’s sleeping.

Here is how it is: how I am sitting here sniffling and experiencing mild heartburn, feeling like a complete fool with a temperature.

Here is how it is. How I have come to abruptly halting my reading process and doing this, setting down (temporarily) Don Miller’s Searching for God Knows What.

Miller writes: “…I felt something missing inside myself, some bit of something that made me feel special or important or valued. This thing missing inside me… is something God would go to great length to explain in His Bible. …By trying to find an identity…

Don Miller also wrote Blue Like Jazz, also a good read

I was displaying some of the very ideas God would speak of in Scripture, some of the ideas about being separated from a relationship that gave me meaning, and now looking for a kind of endorsement from a jury of my peers” (Miller 42).

Isn’t that exactly what I have been doing since June, scrabbling frantically around to improve myself, to impress others or receive their attention, simply to feel accepted? To find an identity.

Here I was so worried about making the right impression at Eastman or at work or even on my adventure/excursion that I was completely and totally blind to the fact that I’m obsessed with my image or what people think. Haven’t I trusted God before and never had to worry about it at all? Hadn’t I felt a sense of peace, finally, and an invasive, infectious happiness, a sunshine?

I’ve been trying to find God again, and I think my dip into Spiritualist Central helped concrete my own beliefs and outlooks. It didn’t shake them as much as it could have.

It served to remind me that, without God once again as a fully recognized presence and driving force in my life, my worst and most horrifying fears will be realized and I will fail. God has been with me every step of the way thus far. I know He won’t “leave” me, but I am scared of the consequences. Scared of the thought of evangelism, of losing sight of things, and dumbly, of knowing God’s love as it was meant to be felt. But mostly I’m just ashamed.

I know as a Christian (is that what I am?) I would feel the need to reach others– and to be honest I feel as though that impulse has been with me my whole life. But I’m not good enough to do it, I’ve tried before, when my faith was really strong. Or I thought it was. Now I fall back under the excuse, I’m too flawed, even though I know that’s stupid. But time and again I’ve kind of tried and definitely failed to serve God because I didn’t want to give it everything and fall short, again.

I think I’d want to share news of God’s love. Of an nonjudgmental, unconditional, unrelenting love. I just doubt I’d be a decent spokesperson. Plus it doesn’t help that it feels like, as soon as you tag “Christianity,” all anyone ever seems to see is piety, when (at least in my case) they couldn’t be farther from the truth.

So… how do I go from being “in control” of my own actions to handing myself over to God?

The search is far from over, but I’ve found something at least. Here is how it is.

Pathetic, brimming with shame, and flawed, I figure it’s about time I stop moping around scared and wimpy and be an instrument for God to use. Or, I guess it’s more fitting… a voice for his love.

My love like a voice

It’s been awhile since I’ve blogged anything. A few weeks, anyway. It’s high time the writing’s continued, especially this is the summer before I head to college for the first time.

This is the sequel to my previous blog of two years, Kick Drum Heart (http://amnerisblue.wordpress.com); the title of this one is the other half of the phrase the Avett Brothers sing of in their song of the same name. It’s a step forward, of sorts: a new stanza to the same song, if you will.

So! Take a look around, read some of my thoughts and rants and musings. Leave me a note if you’d like, I appreciate any and all input (and the fact that you give a crap what I have to say will undoubtably make my day, whether your comments are nice, nasty, or otherwise).

Anyway it’s about time for me to wrap this up, so, have a great day. :)